
«A NEW JAPAN. EFFECT OSEPIAN, Johan Rypma Artists: Aki Sasamoto, Akiiko Taniguchi, Mai Yamashita and Naoto Kobayashi (Mai Yamashita + Naoto Kobayashi), Onishi Yasuaki, Saika Shimada, Ryo Orikasa (Ryo Orikasa), Takashi Makino (Takashi Makino) and Yunichi Yamaoka (Jinichi Yamaoka) April 2018 — July 2018

The basis of Japan’s daily life — a vision raised by the tradition of hieroglyphic writing, combined with the values of Naturphilosophy and Zen School — was the starting point for reflection on the phenomenon of observation. Japan’s unique cosmology is a focused penetration into the essence of each subject, with minimal intervention by the interpretive mind. But at the same time, both Eastern philosophy and quantum mechanics admit that the presence of an observer determines the fate of an object, because it is the observer who chooses one of the possible states of an object by interpreting it in his own way.

Yasuaki Onishi, Vertice Volume SOL, 2018

MAI YAMASHITA + NAOTO KOBAYASHI, Infinity, 2006
The audio-visual structures, videos and sculptures of contemporary Japanese artists present at the exhibition demonstrate the interrelationship of all the things and phenomena that affect each other and give rise to multivariant events and interpretations that can be caught in the vortex in the eye.
Sayaka Shimada, Voices of Void, 2017 ♪ Soichiro Mihara, Bell, 2013
Aki Sasamoto, Flex Test — Steel, Tensile Test Steel/Brass, 2017
Akhiko Taniguchi, Objects Thinking Too Much, 2013 ♪ Takashi Makino, Cinema Concret 2015
Yuko Mohri, Everything Flows, 2016
Junichi Yamaoka, Morphing Cube, 2014
Ryo Orikasa, Datum Point, 2015